{"id":135,"date":"2026-05-25T16:12:54","date_gmt":"2026-05-25T16:12:54","guid":{"rendered":"https:\/\/smartmovinghome.com\/?p=135"},"modified":"2026-05-25T16:12:54","modified_gmt":"2026-05-25T16:12:54","slug":"this-tehran-music-school-took-ages-to-build-up-airstrikes-turned-it-to-rubble","status":"publish","type":"post","link":"https:\/\/smartmovinghome.com\/?p=135","title":{"rendered":"This Tehran Music School Took Ages to Build Up. Airstrikes Turned It to Rubble."},"content":{"rendered":"
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Did you know that Truthout is a nonprofit and independently funded by readers like you? If you value what we do, please support our work with <\/span><\/i>a donation<\/span><\/i>.<\/p>\n

Read more Tulsi Gabbard Exit Marks Fourth Woman to Leave Trump Cabinet<\/a><\/p>\n<\/div>\n<\/div>\n

Tehran\u2019s sky was still half-lit around 5:00 am on March 23 and the Iranian capital\u2019s characteristic traffic jam hadn\u2019t formed yet. Hamidreza Afarideh hadn\u2019t left for work, but he heard blaring alarms from a remote anti-theft system on his phone that suggested something ominous may have happened at his workplace. <\/p>\n

As the musician steered toward the often-crowded Pirouzi district in eastern Tehran, what he could see was not the line of towers and commercial centers that immediately come into view on the highway, but a massive cloud of smoke raging from afar. <\/p>\n

When Afarideh approached the Jalal Building, he found most of it in ruins. The Honiak Music Academy, which he had co-founded in 2024 with his wife, Sheida Ebadatdoust, had been destroyed, along with a gynecologist\u2019s clinic and the office of a small marketing agency. They were all located on the fourth floor of a 22-unit building hit by a U.S.-Israeli airstrike.<\/p>\n

\u201cWe weren\u2019t political, we weren\u2019t in the armed forces. Maybe they wanted to target a different building behind us or in front of us. These are not important to me,\u201d Afarideh said in an online interview with Truthout<\/em> that was significantly slowed down due to state-mandated internet restrictions in Iran.<\/p>\n

\u201cThis incident is a cultural pain. It\u2019s a social pain. It\u2019s a shared global issue and not limited to a specific geography,\u201d he added. <\/p>\n

According to the Iranian Red Crescent Society, more than 125,000 civilian buildings were damaged or destroyed during the 39 days of war on Iran that preceded a tenuous ceasefire. Although some reconstruction work has already begun, many buildings, like the music school and its properties, can never be repaired.<\/p>\n

The Iranian couple, both musicians and art teachers, had raised 70 billion rials, mostly through loans, to purchase instruments, rent a space, equip the classrooms, and fund their operation. Two years ago, when the music school was first founded, that amount would have been roughly $115,000 in U.S. dollars \u2014 the equivalent of 30 years of paychecks for a mid-career Iranian teacher. <\/p>\n

With the continued devaluation of Iran\u2019s currency, a U.S. dollar is now traded at roughly 1,800,000 rials; their original fundraising sum is worth less than half of what it was in 2024. <\/p>\n

The destruction of the Honiak Music Academy is just one example of how the U.S.-Israeli aggression has impacted civilians and inflicted harm on a population already grappling with economic sanctions, international isolation, and domestic repression. A war that was said to have been launched to help Iranians with their resistance against authoritarianism at home has instead further impoverished them. <\/p>\n

Shortly after the airstrike on Honiak, Afarideh was able to bypass the stringent internet restrictions imposed by the Iranian government and share the story of his school with the world through social media. Given the rapid flow of war reports and news about assassinations, he didn\u2019t expect many reactions to his post. But his Instagram timeline was flooded with messages of sympathy pouring in from around the world. <\/p>\n

Afarideh wasn\u2019t alone in his grief. The music school was also an economic lifeline for 22 teachers. More than 250 music learners were enrolled in different programs at Honiak, receiving private mentoring from instructors on the craft of Persian music and its different instruments. Many of them were in disbelief. <\/p>\n

\u201cHalf of our students were children aged 4 or 5. They don\u2019t have any understanding of war, and perhaps they don\u2019t understand suffering, even though they may feel grief and mourning,\u201d Afarideh told Truthout.<\/em> \u201cEven if families try to conceal the news from them, they can\u2019t hide the rumbling of bombs and missiles from them.\u201d<\/p>\n

He recounted an anecdote from a Honiak student who was with her mom, walking past the neighborhood where the school was located a few days after the strikes. \u201cThe mom told us that her daughter stopped talking as soon as she saw the building was wrecked. She was quiet for a long time,\u201d Afarideh said. <\/p>\n

Not many Iranians who lost their belongings or businesses have had the social media attention or news coverage that Afarideh\u2019s school has received. CNN<\/em> and China\u2019s CGTN<\/em> ran stories on Honiak. On its Instagram page, the King Center in Atlanta, Georgia, published a video of Afarideh performing one last song in the rubble of his school. <\/p>\n

In the post, the nonprofit, which is a living memorial to famed anti-militarism organizer Martin Luther King Jr., urged people to reach out to their representatives and say they don\u2019t want to be \u201cpurveyors of war.\u201d <\/p>\n

\u201cThe destruction of our music academy was reported by some reputed media organizations, and as a result, many people sent us messages of sympathy,\u201d Ebadatdoust told Truthout<\/em>. <\/p>\n

\u201cBut we haven\u2019t been supported by any national body or organization, and we have also been feeling that we\u2019ve been forgotten. Of course, those people whose stories never make it to the media experience this feeling more intensely, and it\u2019s tragic,\u201d she said.<\/p>\n

Read more Black Farmers Warn Pollution Is Changing The Food on Our Plates<\/a><\/p>\n

The bombing of the beloved music school became a prominent example of the indiscriminate nature of wars. Still, some militant members of the Iranian diaspora didn\u2019t spare Honiak and its founders from their online wrath. <\/p>\n

Ever since the U.S. and Iran entered a ceasefire on April 8, several diaspora activists have been agitating for the resumption of the war, a demand echoed by the son of Iran\u2019s late shah, Reza Pahlavi. Many of them found the musician couple in Tehran to be a lightning rod for the surge in antiwar sentiments, and left dozens of derogatory comments on the social media timelines of Afarideh and Ebadatdoust, charging them with familiar, baseless accusations of being allied with the Iranian government.<\/p>\n

Still, despite the distress and hardships they\u2019ve been enduring, the couple doesn\u2019t ascribe any malign intentions to the statements made by some Iranians overseas, who criticized them for sharing their story and allegedly undermining the momentum around the U.S.-Israeli intervention.<\/p>\n

\u201cPeople may have different attitudes to war, and if you talk to them, they may say war can produce good results. Now, the war is over for the time being, and we haven\u2019t seen any good results,\u201d Ebadatdoust said. <\/p>\n

\u201cI think the consequences of the war have been much more significant than what they expected, and these are the impacts we experienced inside the country. Even the fear that follows the sounds of explosions and bombardments is difficult to cope with, let alone the destruction that has happened across Iran,\u201d she told Truthout<\/em>.<\/p>\n

Iranians in Iran, like Afarideh and Ebadatdoust, are the ones who will have to struggle with the long-term consequences of the war, intensified financial constraints, and a civic space that will be more restrictive in the postwar environment \u2014 conditions that Iranians also lived through after the country\u2019s eight-year war with Iraq. <\/p>\n

Afarideh is already navigating the labyrinths of Iran\u2019s confusing bureaucracy to obtain the licenses required to continue the operations of Honiak, all while struggling to pay back the funds he had borrowed from friends and institutional lenders. This is not an easy task, especially if arts institutions aren\u2019t going to be priority recipients of reconstruction aid.<\/p>\n

\u201cThey will have lower priority naturally in war and postwar,\u201d said Djavad Salehi-Isfahani, a professor of economics at Virginia Tech. \u201cArt production is generally a luxury that has low priority in reconstruction, so, yes, they are likely to be worse-hit.\u201d<\/p>\n

Independent artists in Iran have often been at a disadvantage when it comes to the allocation of resources, including venues, promotional opportunities, grants, and even licenses for performance and exhibitions. Thanks to the absence of private broadcasting channels within the country, it is difficult for artists to share their work more broadly at home unless state media platform them. Securing subsidies to support their work also requires powerful connections. <\/p>\n

The destruction wrought by the war will not only leave the private-sector owners of creative industries in financial turmoil. In a country where the state has cracked down on cultural production and opportunities for independent artistic endeavors are limited, misfortunes like the destruction of a music academy will affect the fabric of the communities tied to these spaces.<\/p>\n

\u201cThe long-term impact will be a form of collective trauma and enduring psychic devastation that is transmitted across generations through cultural memory and lived experience among the students and instructors at the Honiak school,\u201d said Babak Rahimi, professor of culture, religion, and technology at the University of California, San Diego. <\/p>\n

\u201cSuch trauma includes not only the loss of memories but also the disappearance of dreams, aspirations, and hopes for a life in art and music that embraces the creativity of play and seeks alternative sensibilities,\u201d he told Truthout<\/em>.<\/p>\n

According to Rahimi, one of the many damages of a wide-ranging war in which civilian infrastructure is targeted is the suppression of civil society. In a turbulent security environment marked by the dilution of financial resources that support cultural activity, artists will face increased vulnerability.<\/p>\n

\u201cA darker consequence of postwar reconstruction is the way independent artists are often compelled to rely either on the state or on wealthy donors, frequently with ties to the state, in order to rebuild their livelihoods and reappear within the cultural sphere,\u201d he said. \u201cSuch dependency can gradually reshape the conditions of artistic production itself, narrowing the space for autonomy and critical expression.\u201d<\/p>\n

As the Honiak Music Academy founders navigate these tensions, they have found solace in support from abroad. It\u2019s especially meaningful to them that these messages of solidarity are coming from the United States, which launched the war together with Israel.<\/p>\n

\u201cWe received many messages from American people expressing solidarity with us, saying that they oppose these policies,\u201d Ebadatdoust told Truthout<\/em>. \u201cI believe ordinary people everywhere understand each other much better.\u201d<\/p>\n

Read more The Trump Administration Is Shielding Prediction Markets<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The destruction of Honiak Music Academy shows the devastating impact of the US-Israeli war on Iran\u2019s creative spaces.<\/p>\n","protected":false},"author":1,"featured_media":134,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-war-peace"],"yoast_head":"\nThis Tehran Music School Took Ages to Build Up. Airstrikes Turned It to Rubble. - Smart Moving Home<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/smartmovinghome.com\/?p=135\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This Tehran Music School Took Ages to Build Up. 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